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On Hearing Mystery Writer Robert Crais

3/17/2015

6 Comments

 
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The first time I heard Bob speak was at Left Coast Crime in Pasadena, CA, a dozen years ago. He’d just won an award, and in his talk he told us all about winning it. Or rather, he told us about the aftermath. Or rather, he explained first hand what NOT to do when you’re talking to your agent after winning a very exciting award.

At the time cell phones were rather new. Reception was spotty. The agent called to say she had wonderful news, but Bob couldn’t hear her. So he stepped outside. And then he stepped further outside. Then two things happened all at once; the sky started to spit rain, and the door shut behind him.

Bob was locked out in the rain in a robe. Perhaps the makers of Birdman were in that same audience.

Naturally, all the writers in the room roared with laughter. To finally win a great award but yet get locked out of your own apartment! In the rain! It was the normal kind of sacrifice that came with writing. We should expect such things to happen. We should expect to suffer.

I left the room sure that I would continue to read all of Bob’s books just as I was sure I would continue to write the elusive award-winning crime novel. Since I live in Arizona, I wasn’t in as much danger of getting locked out in the rain.

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The first RC book I read--and then I was hooked.
I’m happy to say that my experience with Bob was repeated on Sunday at the Tucson Festival of Books. The ballroom had filled with nearly six hundred people. Bob did not share secrets about writing. He did not outline five ways to write a mystery novel or ten things detectives must be aware of.

Instead he read emails from readers.

While he assured us that he occasionally had positive emails, he also had plenty that were not so sweet. One man complained that Bob used too many names that started with J. How was a poor reader supposed to keep things straight? One reader complained vehemently that Bob did not know the difference between “bring” and “carry” and that he might want to finally learn that for the next book. Others assured him that he should be ashamed of himself and signed their names with illustrious titles such as “No Longer Willing to Read Your Work.”

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My favorite RC novel. It changed my writing.
Again the audience roared. What nerve! We thought. What terrible manners! What envy!

I thought about how hard it is to write a book, how much trouble it is to go through the seven or eight versions it takes (me) to get things right, the trouble of finding a publisher and doing the final copy and giving suggestions for the cover art and then begging for reviews and and and and! All this for a reader to quibble with bring/carry.

I’m an English writing instructor. I’ve read 8 of Bob’s books. Guess what? I haven’t noticed the “problem.” Perhaps I’ve been focused on other aspects of his writing?

Luckily, Bob didn’t stop there. He read a couple of tender emails from readers who had been touched and helped by his books. His recent title Suspect, which includes a German shepherd named Maggie, has won many hearts and kind thoughts from readers. Bob assured us that no matter what terrible things disgruntled readers might write, emails from people who had been somehow moved by his work made everything worthwhile.
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RC's recent book
Then he read from his latest book (which readers have informed him is LATE), and the writers in the room felt renewed by the hope of their own work reaching heights while the readers felt renewed by getting better acquainted with a favorite author.

I’m already looking forward to hearing Bob again soon. But between his talk and the talk by 
Barry Eisler that I heard at Bouchercon in November, it’s no coincidence that I spent last night at a friend’s house trying to learn the difference between a pistol and a revolver. When it’s time for my character Andy Veracruz to shoot, I don’t want any mistakes. I don’t want him to forget to load the chamber or remove the safety. When our hordes of fans write us, I want them to be able to say something good.

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Writers are readers too!
To read about Andy Veracruz, please checkout my novel website. Andy is an accidental detective, but he still has some exciting adventures. Now I'm just waiting for the call that catches me out in my robe. 
6 Comments

Is Farce Worthwhile?

3/5/2015

1 Comment

 
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Live Theatre Workshop's Move Over Mrs. Markham
Last week I read the program notes in the Live Theatre Workshop theatre bill. Tucson Director Stephen Frankenfield asked himself why he loved farce. He concluded that no matter how ridiculous the situation, the stakes for the characters are high.

I started reflecting on my own love of farce. Why would I prefer to see a silly play about mistaken identities, misunderstood characters, and double entendres rather than a serious play about something more “worthwhile”? Do I use theatre to escape?

I might. Sometimes I get too wrapped up with other things I’m doing. But in farce, there’s always the beauty of the unexpected. Perhaps as theatre goers we can pretend to rise above the action and think to ourselves, well, I certainly knew what was going to happen. The characters, however, never get that luxury. They’re always at a loss because they’re operating from incomplete information. They don’t hear the full story. They make assumptions. They think they know what they’re seeing. They fail to consider other options.

All this has to be done with perfect comic timing. That’s another aspect I love. Much as I lose patience with the slow movement of any symphony, I sometimes get impatient with wordy dramas. “Come on!” I want to tell the characters. “Let’s get on with it!”

In farce, the quicker the action, the more surprised the characters, the funnier the reactions, the bigger the payoff. The plot hits us before we can blink, and as audience members, we appreciate the economy and the smooth style.

The current play at Live Theatre Workshop is a case in point. Move Over Mrs. Markham utilizes more than two hundred exits and entrances. The doors bang left and right. The characters become dizzy as they trip over their words and one another. The timing? Perfect. The laughter? Unstoppable. (I may have been the loudest one in the audience—sorry.) Once again, LTW has provided wonderful performances and topnotch entertainment.

As I left the theatre, though, I kept wondering why farce is a personal favorite. Since I don’t have all the answers, I’ll have to see a few more examples of them. Many examples. And that’s plain lucky.

 

There are elements of farce in my novels Mariachi Murder and Thai Twist. I guess I can’t help myself. Thank goodness.

 

1 Comment

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